Moths (Lepidoptera: Heterocera, Plate 64) by Frederick DuCane Godman, 1879

Insecta Lepidoptera-Heterocera Pl. 066 (1879) by Frederick DuCane Godman is a refined Victorian zoological illustration devoted to moths. Created at the height of the 19th century’s passion for cataloging the natural world, this plate arranges multiple specimens on a crisp white ground to allow effortless comparison of wing shape, pattern, and structure. Part of the landmark Biologia Centrali‑Americana, it unites scientific clarity with elegant composition—an image made for close study and quiet admiration alike.

Offered here as a high-quality fine art print, your piece is produced on museum-grade, acid-free archival paper or on artist’s cotton canvas for a textured, gallery-ready look. Available in a range of sizes from intimate to statement-making, it can be ordered unframed or expertly framed. The Unique Maps Co. also offers personalization—such as custom captions—and bespoke sizing to fit existing frames or specific wall plans.

Frederick DuCane Godman (1834–1919) was an English naturalist, collector, and organizer of major scientific enterprises of his era. Closely associated with the meticulous observational tradition that defined Victorian natural history, he helped shape how biodiversity from Central America was documented and shared with scholars and the public. His work championed field-collected accuracy translated into clear, publishable imagery that stood the test of time.

This plate is notable for its role in the grand Victorian project of taxonomy. “Heterocera,” the historical term then used for moths within the order Lepidoptera, signals the period’s emphasis on distinguishing and classifying life with precision. The specimens are thoughtfully spaced and annotated, reflecting the educational purpose of the series; species names appear to guide identification, reinforcing the plate’s function as both a teaching tool and a record of discovery.

A restrained, natural palette—white, soft oranges, warm browns, and subtle grays—keeps the focus on diagnostic markings and wing venation. Fine lines and delicate shading, characteristic of 19th‑century lithographic techniques, provide depth without crowding the page. Symmetrical forms and evenly balanced spacing lend the work a calm rhythm, making it as suitable for a study or library as it is for a modern living room. For lovers of entomology and classic design, this is a compelling conversation piece that celebrates the meeting of art and science.

A thoughtful gift for naturalists, collectors, and design enthusiasts, this print suits birthdays, graduations, housewarmings, and holidays such as Christmas, Mother’s Day, or Father’s Day—especially meaningful for anyone who has traveled in Central America or cherishes the elegant legacy of Victorian scientific illustration.

If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.

You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.

You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.

The model in the listing images is holding the 18x24in (45x60cm) version of this art print.

I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.

This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.