Insecta Lepidoptera-Heterocera (Plate 61) by Frederick DuCane Godman, 1879

Frederick DuCane Godman’s Insecta Lepidoptera-Heterocera Pl. 061 (1879) is a quintessential Victorian zoological illustration that unites scientific clarity with quiet elegance. Created during a period when meticulous images were essential to the study of biodiversity before photography became widespread, this plate presents a carefully arranged selection of moths against a pale ground. It forms part of Godman’s work on Central American fauna—produced for the landmark Biologia Centrali‑Americana—where each specimen’s form, markings, and structure are rendered for close comparison and confident identification.

Offered as a museum-quality fine art print, this piece is available on acid-free archival paper or artist’s cotton canvas. The Unique Maps Co. produces a range of sizes—from intimate study formats to bold statement pieces—with optional borders, custom trim to fit ready-made frames, and professional framing in black, white, or natural wood. Personalization is welcome, including bespoke sizing and curated sets with companion plates to create a harmonized gallery wall.

Godman (1834–1919) was an English naturalist deeply engaged in the 19th century’s grand project of classification and collection. His illustrations, created in collaboration with fellow scholars and artists, helped build a visual language of Lepidoptera, making subtle distinctions legible to researchers and enthusiasts alike. Pl. 061 belongs to the historical taxonomy of “Heterocera,” a period term for moths, and reflects how Victorian science balanced empirical observation with a commitment to order and accessibility.

This plate is notable for its comparative design. Specimens are spaced so that wing shapes—broad and scalloped beside narrow and elongated—can be read at a glance, while antennae and body proportions offer further cues. Such arrangements were intended as working tools: practical references for readers of natural history who required accuracy without visual distraction. In the present, that clarity reads as timeless composition.

Aesthetically, the print glows with restraint. A clean white field sets off soft yellows and warm oranges, tempered by natural browns and delicate neutral tints. Fine line work articulates venation and wing edges; transparent watercolor washes suggest the fragile translucence of the wings. Negative space is purposeful, allowing each moth to “breathe” and giving the sheet the poised symmetry that distinguishes Victorian entomological art. As wall decor, it imparts a scholarly calm—equally suited to a study, reading nook, hallway, or nursery.

This print makes a thoughtful gift for entomology enthusiasts, natural history lovers, and admirers of Victorian design—perfect for birthdays, housewarmings, Mother’s or Father’s Day, Christmas, or to celebrate a friend’s return from a museum visit or nature-filled journey.

If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.

You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.

You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.

The model in the listing images is holding the 18x24in (45x60cm) version of this art print.

I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.

This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.